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Taylor Joshua Rankin (b. 1991) is a composer of new music, drawing on a variety of influences from American and European minimalism, to indie-classical, avant-rock and electronica, currently based in San Francisco and Oakland, CA. Taylor's music has been performed by ensembles across the United States such as Friction Quartet, Redshift Ensemble, and the NYU Marimba Ensemble. Taylor's music has been programmed by Composers Inc., the Presidio Club, The San Francisco Conservatory of Music Orchestra, California State University East Bay, New York University, as well as the 2016, 2017, and 2018 Hot Air Music Festivals.

In 2010, during Taylor's undergraduate studies with Dr. Frank La Rocca, Taylor was awarded the annual Glen Glasow Fellowship Award for his overall body of work, and commissioned to produce a piano trio for the Redshift Ensemble. In 2015, Taylor was accepted on scholarship to the San Francisco Conservatory of Music to pursue his Masters Degree in Composition under the apprenticeship of Bay Area composer Mason Bates.

Bates has praised Taylor as having a “great ear for harmony and texture”, and demonstrating “strong and compelling skills”. In 2016 Taylor began serving as a producer for the 2017 Hot Air Music Festival, a day long marathon of new music that operates annually at the San Francisco Conservatory of Music. In March of 2017 Taylor was awarded second place in the coveted Highsmith Orchestral Composition competition for his three movement work for orchestra: California Nocturnes.

In 2018 Taylor joined the list of composers who will be commissioned to write music for stories told live on tour with Pop-Up Magazine, performed by members of Magik*Magik Orchestra.

Taylor was recently selected by the Baroque Festival of Alessandro Stradella to compose a new work for the Abchordis Ensemble to be premiered in Nepi Italy later this year.

A native of the Bay Area, Taylor lives in Oakland, near Mills College, and performs on drumset and percussion in and around San Francisco.


List of Works


Touch/Still (2018)

Cello/Piano, 8 minutes

 

The Other Side of the Sky (2017)

flugelhorn, french horn, trombone, tuba, violin, viola, live electronics, 13 minutes

 

Half Light (2017) (ASCAP)

Percussion trio and electronics, 7 Minutes

 

California Nocturnes (Mists, Freeways, Sequoia) (ASCAP) (2016-2017)

Full Orchestra, 15 Minutes

 

In The Autumn Foliage (2016) (ASCAP)

String Quartet and Electronics, 5.30 Minutes

 

Painting Hieroglyphs (2016) (ASCAP)

Pierrot Ensemble, 18 Minutes

 

Smear Music (2014) (ASCAP)

String Quartet, 8 Minutes

 

Elements (Water, Air, Ether, Fire, Earth) (2013)

Solo Piano, 20 Minutes

 

Metropolis (Ascent, Contact, Descent) (2012) (ASCAP)

Piano, Violin, Clarinet, 15 Minutes

 

The Number of the Sirens as Two (2011)

Electric Bass and Vibraphone, 7 Minutes

 

Cerebral Cortex (2010) (ASCAP)

Mallet Quintet, 5 Minutes